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“The greatest melody writer was Jerome Kern. That's not to demean Gershwin and Harold Arlen - they looked up to him.” (All About Jazz)
This meant that Passman and Wasserman could have had a bigger share of the writers' royalties—in fact, all the royalties—from the sales and public performances from the successful with-lyrics recordings (not, of course, from sales of the instrumental version), as the tune itself was firmly in the public domain.
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A fitting finish to sport's most dramatic year (Evening Standard)
And so the greatest sporting year in history deservedly finished by stretching credibility again for the fourth time in a few months.
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